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    <dc:date>2026-08-20T15:09:16Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9464">
    <title>Bem viver e pedagogias do cuidado: as práticas formativas e organizativas do movimento de mulheres camponesas</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9464</link>
    <description>Título: Bem viver e pedagogias do cuidado: as práticas formativas e organizativas do movimento de mulheres camponesas
Autor(es): Siqueira, Bianca Kaluana de
Primeiro Orientador: Fraga, Gerson Wasen
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2026-07-01T00:00:00Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9462">
    <title>“Minha vida, meus mortos, meus caminhos tortos”: Secos e Molhados: a música como resistência na ditadura militar, análise do álbum de 1973</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9462</link>
    <description>Título: “Minha vida, meus mortos, meus caminhos tortos”: Secos e Molhados: a música como resistência na ditadura militar, análise do álbum de 1973
Autor(es): Santos Junior, Walnei Flores dos
Primeiro Orientador: Severo, Gerson Luis Egas
Abstract/Resumen: This undergraduate thesis analyzes the debut album by Secos &amp; Molhados, released in 1973, seeking to understand how its songs, visual aesthetics, and performative representations constituted a space for artistic expression and resistance to the authoritarianism imposed by the Brazilian civil-military regime. The study is situated within the historical context of the dictatorship's increasing repression following the enactment of Institutional Act No. 5 (AI-5) in 1968, a period marked by the institutionalization of prior censorship, political repression, and the restriction of democratic freedoms. Against this oppressive backdrop, the research investigates how popular music functioned as an active force of cultural resistance and how the trio composed of João Ricardo, Gerson Conrad, and Ney Matogrosso challenged the conservative moral and behavioral values upheld by the regime.&#xD;
Methodologically, the research is based on a bibliographic and documentary review, using the 1973 album itself as its primary source, analyzed in constant dialogue with the historical context of its production and reception. The theoretical framework is grounded in the contributions of Cultural History, drawing particularly on Roger Chartier's reflections on practices of representation and cultural appropriation, as well as Marcos Napolitano's studies on the relationship between Brazilian Popular Music (MPB) and the authoritarian regime.&#xD;
The study concludes that Secos &amp; Molhados went beyond the limits of mere commercial entertainment within the recording and television industries of the 1970s, becoming a genuine mass phenomenon whose androgyny, theatricality, and poetic expression symbolically destabilized the regime's disciplinary structure, allowing a significant portion of the youth of the time to reinterpret the group's performances as spaces of aesthetic experience, resistance, and symbolic freedom.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2026-07-01T00:00:00Z</dc:date>
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    <title>O velho sob o olhar da imprensa: discursos e representações sobre Luiz Carlos Prestes no Diário de Notícias e Correio Riograndense (1941-1964).</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9461</link>
    <description>Título: O velho sob o olhar da imprensa: discursos e representações sobre Luiz Carlos Prestes no Diário de Notícias e Correio Riograndense (1941-1964).
Autor(es): Fantinelli, Niomar
Primeiro Orientador: Gritti, Isabel Rosa
Abstract/Resumen: This Undergraduate Thesis analyzes the representations and discourses constructed about Luiz Carlos Prestes by the press of Rio Grande do Sul, specifically in the newspapers Diário de Notícias and Correio Riograndense, between the years 1941 and 1964. The research investigates how the trajectory of the communist leader was portrayed in different political contexts, from the "Estado Novo" to the eve of the 1964 civil-military coup. Based on the perspective of Cultural History and the concepts of representation and "struggles of representation" by Roger Chartier, this study understands the newspaper not only as a source but as a political agent endowed with intentionalities. The methodology consisted of documentary and bibliographic research, with the collection of primary sources through the Digital Hemeroteca of the National Library. The analysis evidences that the periodicals utilized distinct discursive strategies: while Diário de Notícias focused on the threat to the institutional order, Correio Riograndense, from a Catholic orientation, constructed the image of Prestes as an antagonist to Christian values. The results point out that the press played a central role in the crystallization of negative stigmas regarding Prestes, collaborating in the maintenance of the status quo and the construction of a social memory that identified him as the "red peril."
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2026-06-01T00:00:00Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9457">
    <title>A educação escolar em terras Kaingang: a escola indígena de Educação infantil Gir Si na aldeia de Votouro (Benjamin Constant do Sul /RS)</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9457</link>
    <description>Título: A educação escolar em terras Kaingang: a escola indígena de Educação infantil Gir Si na aldeia de Votouro (Benjamin Constant do Sul /RS)
Autor(es): Silva, Márcia da
Primeiro Orientador: Fraga, Gerson Wasen
Abstract/Resumen: This research aims to understand how the school institution acts in maintaining Kaingang&#xD;
identity, starting from the need to show people that in the municipality of Benjamin Constant&#xD;
do Sul (RS), more specifically in the village of Votouro, there is a preschool for children of this&#xD;
ethnic group: the Gir ST Indigenous preschool, founded on March 5, 2012. It is important to&#xD;
highlight that this type of structure does not exist in other Kaingang communities located in the&#xD;
state of Rio Grande do Sul.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2026-07-01T00:00:00Z</dc:date>
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