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    <dc:date>2026-05-29T06:05:04Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9072">
    <title>A catarse enquanto ápice do fenômeno artístico em Merleau-Ponty</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9072</link>
    <description>Título: A catarse enquanto ápice do fenômeno artístico em Merleau-Ponty
Autor(es): Vieira, Julio Cesar Zeiroldt
Primeiro Orientador: Costa, Joice Beatriz da
Abstract/Resumen: Cette recherche s'est développée à partir d'une réinterprétation théorique du concept de catharsis. Elle a débuté par un aperçu historique du concept, remontant à la Poétique d'Aristote, où l'on trouve la première application de ce concept dans le domaine de l'esthétique. Pour Aristote, la catharsis et son effet purificateur se produisent par l'identification du spectateur à l'oeuvre d'art contemplée ; cette identification peut susciter chez l'individu des sentiments de compassion ou d'admiration. Plus tard, on retrouve la vision de Theodor Adorno, figure de l'École de Francfort, dans son ouvrage Théorie Esthétique, où la catharsis dépasse la simple identification à l'oeuvre ; elle doit révéler l'autonomie et la capacité critique de l'être humain. Ceci nous amène au champ phénoménologique, où seront explorées la perception de la catharsis et son effet purificateur le corps ressentant l'effet puis étant ressenti, ce qui suscite une réflexion sur le corps de l'artiste et sur l'oeuvre d'art, cette analyse s'appuie sur la Phénoménologie de la perception de Merleau-Ponty. En conclusion, le concept de catharsis se pare d'une nouvelle forme de purification au sein de la psychologie, limitée à la psychanalyse de Sigmund Freud, où il agit sur le psychisme individuel en engendrant la pulsion vitale dans l'être et dans la société. Purifiant la société, la catharsis devient le point culminant du phénomène artistique et de ce qui se manifeste avec lui et pour lui dans la construction d'un autre au monde.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2025-12-01T00:00:00Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9011">
    <title>Filosofia, poesia e revolução: o pensar poético de Marx sobre o trabalho a partir dos manuscritos econômicos-filosóficos</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9011</link>
    <description>Título: Filosofia, poesia e revolução: o pensar poético de Marx sobre o trabalho a partir dos manuscritos econômicos-filosóficos
Autor(es): Santos, Emanuele Paska dos
Primeiro Orientador: Souza, Gabriela Nascimento
Abstract/Resumen: This monograph aims to highlight Marx's poetic thinking on the concept of labor, based on his work Economic and Philosophic Manuscripts of 1844 (1932). In this work, Marx defi nes alienated labor as the result of labor power being reduced to a mere commodity, stemming from the unlimited exploitation of the proletariat by the bourgeoisie. By presenting this critical conceptualization, the philosopher expresses the loss of human creative capacity, which paradoxically occurs in an activity that should express its most intrinsic creative potential. Within this dynamic lies the foundation of Marx's poetic thought on labor, which will be studied and highlighted here as necessary for revolution. The fi nal thesis is divided into three chapters. The fi rst, Economic and Philosophic Manuscripts: Labor, Essence, and the Generic Being, is subdivided into 1.1 The Concept of Labor and 1.2 Ontology in Marx. Chapter 2, titled Labor, Alienation, and Overcoming, consists of two further subchapters: 2.1 Marx and Engels’ The German Ideology: Historical Fact and Division of Labor and 2.2 Human Emancipation: Overcoming Labor. The third chapter, in turn, is titled Poetic Thinking on Labor and is divided into two subchapters: 3.1 Philosophy and Poetry: Labor in Marx and 3.2 The Need for a Revolution Diff erent from All Other Revolutions.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2025-12-01T00:00:00Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/9010">
    <title>A técnica e a reconfiguração da existência: diálogos críticos sobre o ser em Heidegger, a aura em Benjamin e o ciborgue em Haraway</title>
    <link>https://rd.uffs.edu.br/handle/prefix/9010</link>
    <description>Título: A técnica e a reconfiguração da existência: diálogos críticos sobre o ser em Heidegger, a aura em Benjamin e o ciborgue em Haraway
Autor(es): Dias, Tatiana Cavalheri Borges
Primeiro Orientador: Costa, Joice Beatriz da
Abstract/Resumen: This work investigates technique/technology as a decisive field where forms of life and ethical horizons are disputed. Through an analysis of Heidegger, Benjamin, and Haraway, it is argued that technology is not an instrument, but a force that reconfigures existence. Heidegger reveals its essence as Ge-stell, a structure that disposes the world as a resource, now intensified by algorithmic logic. Benjamin shows how technical reproduction dissolves the aura and politicizes experience, radicalized by AI. Haraway proposes, with the cyborg, a hybrid ontology for resistance. It is concluded that inhabiting contemporary technique/technology demands meditative attention, the politicization of digital aesthetics, and the affirmation of hybridity as an emancipatory path in the face of the challenges of artificial intelligence.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2025-12-01T00:00:00Z</dc:date>
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  <item rdf:about="https://rd.uffs.edu.br/handle/prefix/8633">
    <title>O enativismo de Maturana e Varela: uma análise enativista do problema da relação mente-corpo</title>
    <link>https://rd.uffs.edu.br/handle/prefix/8633</link>
    <description>Título: O enativismo de Maturana e Varela: uma análise enativista do problema da relação mente-corpo
Autor(es): Sychocki, Bruno Gabriel Branco
Primeiro Orientador: Mendonça, Bruno Ramos
Abstract/Resumen: This paper aims to investigate the philosophy of mind, focusing on the enactivist&#xD;
perspective proposed by Maturana and Varela, highlighting its theoretical and practical&#xD;
significance in the current context. Enactivism views cognition as a dynamic and active&#xD;
process that emerges from the interaction between the organism and its environment,&#xD;
rejecting conventional models based on internal representations or simplistic&#xD;
explanations. The study discusses how this perspective challenges traditional theories&#xD;
such as Cartesian dualism, materialism, and functionalism, suggesting a unified&#xD;
understanding of the mind as a materialized and situated entity. The research also&#xD;
examines the implications of enactivism for neuroscience, artificial intelligence, and&#xD;
ethics. In the field of neuroscience, it proposes new ways of understanding mental&#xD;
disorders as outcomes of altered interactions with the environment. In artificial&#xD;
intelligence, it encourages the development of more adaptable and context-sensitive&#xD;
technologies. In ethics, it promotes an ecological perspective that emphasizes the&#xD;
interconnection between humans and their environment. Thus, this paper reinforces&#xD;
the contribution of enactivism to a more comprehensive understanding of mind and&#xD;
cognition.
Instituição: Universidade Federal da Fronteira Sul
Tipo: Monografia</description>
    <dc:date>2025-07-01T00:00:00Z</dc:date>
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