A desobediência menor: rotas de fuga: cinema e infâncias

Abstract

This thesis focuses centrally on images, cinema and childhood from it's multiple displacements. It is about traversing imaging tracks seeking minority potencies created by escape lines before the majoritarian regimes present in the cinema, wheter it be major or minor. This study sought to observe disruptive and disobedient images and flows, above all, in the territories of image, cinema and childhood. The cartographic plane had as its main coordinate the Philosophies of Difference, in it's cursed and equally disobedient wandering line. The results show that cinema and image compose a geography in which several and multiple potencies act as a not only as a war machine, but also as a gathering machine in which minority regimes do not cease to proliferante and to contaminate beign able to realize a great dionysiac celebration of childhood, multiplicity and hope.